My artistic practice is a deeply introspective and meditative process that unfolds around the perception of identity and the relationship between the self and the external world. At the core of my research lies a constant, almost obsessive reflection on the concept of the boundary: a subtle and shifting territory where the inner self enters into dialogue—and at times into conflict—with what lies beyond it.

Drawing inspiration from Didier Anzieu’s studies on the “Skin Ego,” understood as a psychic surface structured through contact with external reality, I seek to explore the sensitive dynamics that emerge when personal perception becomes porous, vulnerable, and reactive. Within this permeability, my work also opens to a reflection on the sacred in a secular sense—a search for the mystical, for unity with the whole, and for a sense of resonance between the intimate and the cosmic, the microscopic and the immense.

It is within this space that my work takes form, combining photographic experimentation, mixed media, and autobiographical fragments—languages I use as tools to investigate the body, memory, time, and the fragility of identity. Each image is the result of a slow process of visual and emotional layering, in which the creative act becomes a form of listening and meaning-making, attentive to the atmospheric dimension that connects inner experience to the vastness of the world.